When I knew that my job was secure, and I didn’t have to leverage my PayPal money in some other way, I started to think about all the people I know who I enjoy the art they make, and how hard things are for them right now. So, I decided to drop some money on a number of people I know, in the hopes that I could time a number of these purchases to arrive roughly around… today. Here are the fruits of my labors.

As you can see, there are selections from Dylan Houser, Bongo Mindhole, Max Eastman, Hal McGee, Chris Phinney, Che F. Kirk, Stephen Doyle and Chris Gierig. Not included are a few purchases that are still pending: three 7” records I just bought from Paul Petroskey, a tape and piece of art from Aimee Grace Naworal & Adam Naworal, and a set of four cassette re-issues I also just bought from Max. (Also not seem: a sweet JUICE MACHINE shirt!)

I’ve also included a photo of all the recent correspondence I’ve gotten (from too many folks to name!) from my letter writing project, and a couple of the ‘zines I’ve gotten, too. (Thanks Marina Oestre and Jonas Juuso!) I also included a couple ’zines that Dylan sent me a while back, and sort of slipped through the cracks in my reading schedule, and one zine I bought from Obadiah Baird and forgot to read, because I feel like now is the time to read things I forgot I had.

This truly is a bounty of excellent gifts, that I’ve been enjoying as I dip my toes in today. This didn’t really cost me much outside of postage and a little cash for each person, and I have so much to read, listen to, and enjoy… all offline.

One thing that I feel that — both my birthday and this isolation — has taught me, is that there is so much life offline, and so much of it exists in ways that you cannot replicate online. The act of putting on these tapes has no equivalent on social media. Having to find a 3.5” floppy drive so I could retrieve the song on it was a small adventure that was pretty entertaining, and caused a few of us to cooperate, offline. Having “Lightbulb” show up on my porch was such a delight. And all of these experiences are not summarized in a post, or something I shared online. Even these photos are lacking in what these material items are offering me today, and in a way, that’s sort of the point.

I can’t spend time with my friends right now, and it very much sucks. Not just for me, but for the world. But I can spend time with their art, and that rules.

Thanks everyone, for being in my life, for making cool things that I love, and for continuing to work, in adversity, to create for those of us who keep searching for meaning and beauty in places that are not often easy to find, or are not immediately obvious.

You all are excellent. I love you all so much.

Now: let’s have a drink!

My Dream:

I discover that a lot more people than I originally knew used to have radio shows. And all of them have shoe-boxes of tapes of these old shows, that they would love to listen to again. So I begin digitizing them, and I start building a catalog of forgotten and lost radio shows, by all the bit-players in the long and sorted story of radio history. Every show that was only a few weeks long, or ones that ran for years. All but forgotten, by only the host and a few fans.

The archive allows people to reconnect with shows they loved, years ago.

We heal as a people, slowly, through music.

Usually to the Sonics, very loud.

I’ve never owned a Prince album, and I never saw “Purple Rain.” I spent all of 1999 intentionally avoiding any Prince songs, specifically, ahem, That One…

I don’t know anything about him, save that he’s not a bad guitar player. And maybe he wasn’t the nicest guy.

Sell me on Prince albums. I think I might have missed the boat, and I’m wondering what I’m missing.

In spite of getting this new job, it’s my birthday tomorrow, so I’m actually on vacation! (Try explaining THAT to the boss.) So today, on KLFM.org, you will hear the finest in Tiki and Vacation tunes, to help you get in the vacation spirit. Kick back in the yard, with a cocktail, a kiddie pool to dip your toes in, and plenty of oldschool tiki records for you to enjoy. It all starts at 3 PM, PST!

Cheerful NPR Story: In two weeks (the last two weeks of March), our country went from being, “as robust as it has ever been, if not moreso,” to, “we are in the biggest recession since the 30s.” Those two weeks reversed all the growth we’d made at the beginning of the year, and brought us down further than the 2008 crash.

That’s just the first quarter of this year. Looking at the overall trend for the second quarter of the year, we are looking at being in the worse depression this country has ever seen. And, given the age of our country, that only means it’s the worst depression in the last few hundred years…

Regardless… the third quarter of this year will coincide with the fall re-outbreak. So I think we know how this story plays out.

I’m reminded of a time in the early 2000s, just after I got my first CD burner, when my musical way of life jumped from making tapes to making CDs. On one side, my life was like, “well, I can only buy so much, I can only tape in real time so much, and I can only borrow so much from the library, that I’m just going to enjoy as much as I can, when I can.” That era of my life was marked by knowing almost every album I owned, and being able to listen to all of my albums over the course of a month, copied albums included. I took my music seriously, and I loved what I loved furiously, but only a few albums at a time.

On the other side of that divide my life changed dramatically. I was simultaneously immersed in a new city (PDX) with more access to buying and getting more music, and I had access to Audiogalaxy while I could borrow and burn CDs in large quantities, very quickly. On the other side of that divide, I became the kind of person dominated by the single notion: “Holy cow, I am rapidly acquiring so much music that I can’t keep up with listening to it all.”

I think I lived in that mentality until sometime around 2010, when I could no longer keep up with my own habit of copying albums and burning discs. I still have large numbers of mp3s I’ve never listened to, and spindles of discs I’ve never put on again. It was probably around then that I also started to realize that I could find almost anything of any kind anywhere online fairly quickly, and suddenly, copying music seemed to matter less and less.

As a test, the first three albums I could think of off the top of my head that I don’t own a real copy of, that were easily found online, for free, on a number of streaming services. (The first Ramones album, the first Pavement album, and the first Metallica album.) I think that’s telling. Even 10 years ago that wasn’t true. I try to put myself in the mind of 20 years ago, when I was making hard choices at the record store over albums that are easily found for free online, now. I look at shelves of CDs that I spent at least $10 a pop for, and all of them are now free to hear, all over the internet.

Perhaps this is why I’m so much more interested in DIY releases and indie artists now? It’s all the guilt I have over the tons of money I’ve pumped into big bands over the years?

Born out of another Thread: Best “First” Albums. Bands that started incredibly strong, regardless of future good or badness.

There are some obviously ones: RAMONES. Black Sabbath. Feelies. Riverdales. KARP’s Mustaches Wild. 13th Floor Elevators.

There are probably 100 less obvious ones. What are yours?

If I had the money, I would hire some people to re-work Luchador masks so they are more likely to prevent spread, and I would launch a series of Santo Movie re-makes, suited for our current times and woes.

The central premise of each film would a variation on this same basic idea: the wrestlers are all doing their best to practice social distancing, but there are still some that insist on squaring off to solve problems, as they know no other way of life. The tension of the film will be the good guy wrestlers staying home, while the bad-guy wrestlers are still holding matches, spreading the illness.

Finally, the good-guy wrestlers can no longer take it, they fly over the matches with hot-air balloons, use megaphones to shame the bad guys to go home, and save the day by dispersing the crowds. There will be a climax where the bad guy tries to out-shout the good guy, but after a verbal stand off where the good guy just talks in a slow, measured voice, the bad guy gives up, and goes home. In the end, reason and logic will will the day.

It’s a total fantasy film, not at all reflective of what would really happen in our world. But I think it’s the movie series we need.

Today, at 1 PM PST (10 PM their time), tune in to WDR 3 radio in Germany, to hear a new radio piece by People Like Us (Vicki Bennett). “I Can Fly” was made for this program, and features the voices of a number of people who you may know. Vicki’s work is certainly collage based, but is so much more immersive, and takes those ideas into places that you never knew they could go. Her program on WFMU – “Do Or DIY” – has been exploring this audio art space for years, as has her own work going back to the early ’90’s. I’m really excited, not only to hear something that has been in the works for quite some time, but to have had a very small role as one of the voices in the mix.

But this really is a cavalcade of cameos from a number of people who work in radio, music, art and all sorts of extremes of culture. So if you recognize even a few of the names on this list, it’ll help paint a picture of what you can expect today. The last pieces that I was involved with aired on some strand of BBC radio, and was such a delight to hear what she had done with the words we said. I can only imagine how delightful this one will be.

Tune in to hear snippets, samples, and snatches of people talking about flying, including: Akāshamitra, Atau Tanaka, Ariadne, Austin Rich, Beth Arzy, Cameron Hamilton, Casper Carey, Cecilia Hae-Jin Lee, Dan Otto Bodah, David Cox, Drew Daniel, Eric Kilkenny, Falco Carey, Gaylord Fields, Hearty White, Henry Jhh Löwengard, Iain Chambers, Jeff Carey, Jem Finer, Katja Seltmann, Irene Moon, Kevin Hamilton, Kim Farrier, Kira O’Reilly, Leanne Bryan, Leech Ernowetz, Leon Clowes, Mark Gergis, Mark Heath, Mark Leahy, Melissa Healing, Michael Newman, Molly Hankwitz, Nicola Battista, Peter Jaeger, Peter Knight, Rahne Alexander, Richard Lindsay, Robert Worby, Runa Kirby Torbo, Seth Horvitz, Sharon Gal, Simon Faulkner, Simon Hamilton, Steven Ball, Tim Maloney, Tom Comitta, Vicki Bennett, Will Gustav Thomas Edmondes and Yvonne Szymczak!

And… who knows what else!
https://www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/Flugschall100.html

I’ve been making a list of “dream supplies” that I should keep around my office, to take “working from home” seriously. While this isn’t my first rodeo (it’s at least my second), in the past, I’ve had a lot of fairly “laid-back” work from home situations, where I could sort of work when I want, deadlines were fluid, and in the end, it was never really taken seriously. With this new gig, there will be meetings I have to attend, notes I’ll have to take, phone / skype interviews that I’ll need to record / get transcribed, and then, I’ll actually have to produce text at some point, too.

I’ve already gotten the desk dialed in, where I can work sitting or standing, have the “happy lamp” and the coffee warmer around, and I can have music, podcasts, or silence running, as needed. And while I don’t really “need” anything to actually write, the more I think about it, the more I think I might have to do more “office” type work, and inevitably, stuff that I think of as just “being around” when I’m in “work mode” might not actually be around the house.

My question, for those who work from home a lot: What are the things that you ended up needing to have around your office in order to work more efficiently? Software? Hardware? Pre-digital style tools? I have had so many office jobs, and every time, the office is usually fully stocked. I could see myself getting up to search for something, and realizing that I don’t have it anywhere around.

What do you need to have around to work best at home?

Yesterday was a weird, wild emotional ride, as I was wrestling with the various aspects of privilege and strangeness that our lives currently inhabit. It feels bizarre to even think about my birthday at all, given that the entire world sort of had their birthday taken away from them this year, even if we can order crap we don’t need from some local store, in an effort to pretend that things are somewhat “normal.”

And then, to get two different job offers, work that is not only something I can do, but is in my specific creative field, feels very surreal. (And in both cases: to be contacted and courted for that specific reason… how?) It feels like THE definition of privilege. I’ve gotten freelance writing gigs before, and even ones that paid. And yet, never before did I get one where I’m on the payroll, and can get paid for “creative brainstorming” hours, that I get to do at home. (How far I’m going to push the definition of “creative brainstorming” probably depends on what further distractions I can find around the house, I suppose.)

All of this seems too good to be true, especially contrasted against how miserable I have been in recent months, and how miserable EVERYONE has been in the last several weeks. Why me? Why anyone? How did this happen? Random chance, clearly, and yet, how is it that I can actually benefit from some random flukes, all kicked off because the world at large has to deal with this fucked-up virus?

The gloom and rain this morning seems to reflect the burbling mood that is just beneath all of this good news. As I read more about how schools are prepared to go entirely virtual in the fall, how enrollment numbers are at an epic low, that private institutions will probably start to have to close soon, it seems insane to think that the focus on my education is specifically being recruited for these two gigs that came my way.

There’s a deep irony at work, and it makes me want to cry / laugh a little too often this morning.

Wait, it was a joke song… right? Not actual medical advice…

“Don’t you wanna hang out with the bleach boys baby?
In a land where ministers murder golf pros?
Don’t you wanna drink some bleach tonight?

Maybe there’ll be a party at the beach?
We’ll bitch about life and chug-a-lug bleach!
No ones getting high and no one’s getting drunk,
We got a case off bleach stashed in the trunk.
I wanna die with clorox within reach.”

More Good Luck? It seems unlikely, given our current climate. But regardless, an old client — who I’ve done some work for in the past (and, when all was said and done, I made out pretty good, considering the work / pay ratio) — contacted me with an offer for more work-from-home commissions! It’s nice to get hit-up for creative and creative-adjacent jobs that actually pay money in some form, and I was very happy to sign that contract, quickly.

Every once in a while, doing exactly what I want, when I want, under my own terms, actually pays off.

And not just metaphorically!

Hot take: the time, money, and energy that is put into national sports organizations could be better used to finance local franchises and small youth teams that would inject that nationally spent money into the local economy, making it possible for people who maybe never cared about – or never wanted to support – sportsball, to finally give a shit.

Neglected LPs Project:

I don’t know The Rolling Stones. I was a Who fan, personally. But I listen to the radio and I watch movies and TV, so I know their albums pretty well, it turns out. And I have an astonishing number of Stones records, for some reason. So this collection seemed pretty good to pop on.

I clearly have never listened to this record; disc one has a huge “bend” that prevents the first song from being playable. But the rest plays fine, and it’s not a bad collection. Maybe I’ll check out more Stones records? Who knows…

I got panicked, and so I decided to check, and yes, I’m registered to vote at my current address as a democrat, and a ballot will be sent out to my house the day before my birthday. (Which means I’ll probably be able to vote in the primary for my birthday, which is pretty sweet.)

If you are similarly concerned, and want to make sure you are registered at your current address, here’s the link. I can’t imagine an election where this might matter more.

https://sos.oregon.gov/voting/pages/myvote.aspx

I will say: this is not my preferred political party. Until fairly recently, I have been registered “Cathead” Party, which comes back on my card something along the lines of, “Anonymous – Third Party,” or something like that. The Cathead Party philosophy is pretty straightforward: vote your heart, or “Doug D. Douglas” if you can’t do that. Doug D. Douglas has been the Cathead Party candidate for every position in every election since the early ’90’s, but sometimes voting third party doesn’t make sense, so in that case… vote your heart.

However, Marla and I had a conversation a while back, and we both switched to the democrat party, for the purposes of voting. I don’t really identify as democrat, and I’m not sure I ever did or will. But It’s the closest thing to matching my philosophy, and in large elections, voting for the democrat is usually the better vote to cast.

As we were coming into the 2012 election, we decided that having a voice in the primaries made sense, something the Cathead Party doesn’t do. (They just always run good old Doug, every time, no matter what.) So, as Cathead doesn’t really need my vote in the primaries, Marla and I registered democrat, so we could have an influence there.

It’s hard to say comfortably out loud, “I’m a Democrat,” with any amount of pride. It fits like a bad suit, tailored for someone else. But in this upcoming election, it seems important to cast two very symbolic votes: in both cases, I will be voting for the democrat I like the most.

I just wish it was the same one both times.
https://sos.oregon.gov/voting/pages/myvote.aspx

One thing I think I could get into: Job Interviews over *Skype. I look and sound my best when I can control it in a screen like that, and I can control what you see behind me too, so I really look immaculate, and you have no idea how slap-dash it all was seconds before and after I take / hang up the call.

I’m in! This fits my lifestyle PERFECTLY.

* Skype had become the official “eponym” for “video call” for the longest time; no matter what kind of call it actually was, most people would just say “Skype” up until a month or so ago. I’m starting to think that “Zoom” will begin to replace that. (Similar to the way “Nintendo” meant “home video game” for years, until “XBox” sort of supplanted it for a while.)

I just listened to a great podcast episode by “Roderick On The Line,” discussing the differences in behavior between Introverts and Extroverts, with regards to our current isolation. The essential premise was that the kinds of people who are protesting to re-open the country are extroverts, while the people who are very easily (and happily) sheltering in place are patiently waiting out the worst things, and have plenty to do at home while they wait.



I suspect there’s some truth to that idea Extroverts do like going out, like socializing, are the first to organizing a gathering and want to get the whole group together for drinks afterwards. And I suspect that those who are enjoying the comforts of home, who are enjoying learning how to bake, and who are enjoying streaming movies and reading a lot, are perfectly happy for things to go on like this for a long, long time.

To a degree, the world has been run by extroverts for a long time. Business owners who are “go-getters,” politicians who are, “willing to shake hands and get things done,” and entertainers who are really good at getting groups of people to gather in one place, very near each other… these are the kinds of people who hold a tremendous amount of “Capital” in shaping the way our world works. The rise of the introvert has been happening since the Inter-Web-A-Tron allowed us all to communicate and connect outside of the mainstream, but even that re-balancing of life just made certain kinds of introverts into extroverts. (Podcasters who can suddenly fill mid-sized night-clubs; bloggers who can suddenly get book deals and have to put on reading for large groups.)

The way our lives worked (until recently) were still arranged by the lifestyles of extroverts. Going to the office. Socializing downtown with dinner and a show. Going to large tourist destinations for your vacation. Big entertainment conventions and public gatherings for fans. And while introverts were always able to find a place for themselves in the pecking order, their influence on the way the world worked was often done behind the scenes, away from the prying eyes of partygoers or large groups.

So, now we are facing a pandemic where isolation is the way we beat this. And, to make it through social distancing, we need to engage in SOME amount of self-reflection, to prevent ourselves from REALLY going bananas. What group of people are ideally suited for handling this kind of situation? And: what group of people are pacing, impatiently, looking out the window, ready to go back to “normal” the moment they are allowed to?

The way this virus is spread favors transmission through extroverts, regardless of how “one little gathering” or “having a friend over doesn’t count” might seem to favor survival, if you look at the numbers. If all extroverts engage in “one little gathering,” then it’s the same as “re-opening” the country, without officially doing so. Meanwhile, introverts are dreading the idea that, before we are ready, we will all be asked to go back to work, and to the way things used to be.



With those who are protesting today, here in Oregon, to “re-open,” it seems clear (to the introverts I know) that waiting this out IS the only way to approach this situation. And, meanwhile, aren’t we excited for finally listen to those records we never get to hear?

The dark reality of this situation is that, if things play out the way so much science is suggesting, and if the protests to “get back to normal” continues, the introverts will, finally, have an opportunity to re-shape the way our culture functions.

Not because we want to, but because the extroverts keep getting sick.

Neglected LPs Project: The year was 1998, and this album was in heavy rotation on KWVA in Eugene, and it was spring. Every time you tried to put on the radio at some party, or at the new Sandino’s, a song from this album would come on. It was like the world had simultaneously discovered both Yo La Tengo and Jad Fair, because suddenly everyone I knew was very familiar with deep-catalog titles that I’d never heard anyone mention before. I felt cheated. Why were people hiding these bands from me, previously? Half Japanese was mind-blowing, and Yo La Tengo had a singular vision that was incredible and beautiful, in a way that was both more punk (and more experimental and more pop) than almost anything else i’d heard before.

But that was later. This was my entry point, to a world of DIY and indie that was in this weird, other place. These two bands were not radio stars, but were COLLEGE RADIO stars, and this album of nearly improvised songs over carefully constructed Jad Fair lyrics is a good piece of evidence as to why. Each song is a Tabloid Headline with a full song to describe the events therein. Each song is charming, knowing, earnest, tongue-in-cheek, and the most serious expression an artist can make, simultaneously.

As a young, confused man, wandering around parties, trying to make time with people who were completely oblivious, it was always so perfect to hear a song from this come on the stereo. That year was full of heartbreak and confusion, and waaaaaaaaaay too much liquor and regret. But I kept returning to this album, all through that time, largely convinced to do so because I heard it almost constantly, on KWVA.

Hearing it now is, fortunately, not a nostalgia trip. Not only is Jad just as sharp as I remember, but the band sounds way more “rehearsed” than I know they were, which is a testament to Yo La Tengo’s excellence. They can just toss off a tune that sounds like an instant indie-rock classic. Not only does this record hold up, two decades later, but I’d say that the age has almost sharpened the focus of what made this collaboration incredible.

But this album. Know this album. Learn from this album. Then become someone you want to be, twenty years later.

Here’s something very cool that’s coming up on the 25th of April, if you enjoy radio and the kinds of experimentalism we get up to. At 10:04 PM CEST, Local Germany Time (If I’ve calculated that correctly, that’s 1 PM PST for those of you on the West Coast), you should tune in to “Open Sounds” on WDR 3. (https://www1.wdr.de/radio/wdr3/index.html) On that program you will hear a new audio piece that was created by People Like Us (Vicki Bennett). In this piece, among many, many other voices, you might recognize a small snippet of my voice.

Which isn’t exactly the primary reason to hear it. I’m just involved; this wasn’t my idea, or creation. But Vicki has used my voice in a previous piece she made for radio, and I have been enamored with her work and her art for ages. (See the comments for a link to an interview I did with her a few years back, about her art and the work she does.) So to be a part of the stuff she does is VERY exciting, even as a bit-player in the overall work.

Regardless, if you like radio and something a little different, I think you should check this out! It’s going to be a lot of fun, if nothing else.

I Can Fly – new radio piece for WDR

A little math:

$1.5 Trillion was injected into the stock market to save the economy.
$2 Trillion was used in the aid package for businesses and the stimulus checks.

AND:

$500 Billion is about to be added to the $2 trillion to further help small businesses.

This year ALONE, the US has spent $4 Trillion dollars, just to, “save the economy.”

This morning, the US death toll passed 40,000. That’s roughly $0.1 Billion dollars spent for every 1 people that has died. (Closer to $0.175 Billion per case that has been diagnosed in the US… so far.)

And this is just the money spent in the last few months. This doesn’t include all the usual costs and whatnot that are part and parcel of everyday life.

How much is it worth it, to us, to keep the “economy” going? How much more, per person, will we spend, before we realize the money is no longer the thing that will “save” any of us?

For Sunday Date-Day today, Marla and I watched – through Salem Cinema (Salem, OR) (support local businesses, please) – an incredible documentary, “The Booksellers.” This is the second documentary we’ve watching through Salem Cinema this way (the fungi movie was incredible, too), and it’s probably the easiest way to do something we would do anyway (watch a Sunday afternoon movie), and support a business we both really care about. Plus, it was fun to try and see if you could spot Obadiah or Kat in the background.

I grew up in bookstores. My mom and her first girlfriend opened a store called, “a.k.a. Used Books & Records,” in Cottage Grove when I was in middle school, and outside of mowing lawns and stuff like that, it was my first real job, where I got paid. (I usually opted to get more money in trade, if I’m honest.) In her store, she sold used records (her bag) and used books (her girlfriend’s bag), and they also sold comics (a mutual bag, as it were).

All of my life-long interests were earned as a kid working in that shop. Book nerds and metalheads would come in, while I was listening to George Carlin records and reading Green Lantern comics. I think about that job fairly often, not only because I still come across records in my collection with the “a.k.a.” sticker in the corner (in my mom’s handwriting), but because it was a formative experience, and it immediately enamored me with bookish people, and their ilk.



My first girlfriend was the daughter of the librarian in my hometown. My first non-fast food job was working for B. Dalton, which is how old THAT story is. I loved that job more than anything, and while my urge to move to Portland – and on to Barnes & Noble – should have telegraphed to me that maybe I was straying a little too far from the path, I couldn’t believe that I was lucky enough to run the stockroom on Broadway, and later, the music department at Lloyd Center, at a bookstore in a huge city I loved.

Sure, it wasn’t Powell’s. But, you know. I was close, right? As long as there were books around.

Barnes & Noble hired a brand new manager one day, after I’d been with the company for well over six years, who then went and systematically fired everyone who had been with the company for five or more years. The joke was on her, as they went on to fire her afterwards. All done as a cost saving measure. Which was probably a good thing, as this was just at the beginning of digital books starting to take a bite out of their corporate sales. (Funny, indie stores didn’t suffering in that way, huh? Strange.) 



Anyway, it was transition time. As I collected unemployment and licked my wounds, I enrolled in college, got an English Degree (with a writing minor), and moved on to being a customer-only, with regards to bookstores. 

Occasionally I come across my old nametags in a box, or a bargain art-book I picked up during employee appreciation days, and I’m completely lost in the late ’90’s, reading Bukowski on my breaks, listening to Man… Or Astro-Man?, trying to figure out what my first novel would be like.

There aren’t many days that I don’t think about my bookstore life. There was a point, just before The Rash was hired to fired all of us, where I knew that my life would be bookstores. Forever. My benefits had kicked up after passing the five year mark, the store was doing well, and I was carving out my own niche in the music department. I had imagined my entire future at that company, finding ways to tie the new music releases to books that were hot. At that point in time, I had spent more years, cumulatively, working in bookstores that doing anything else, and for more than dozen years, there was nothing more I loved than thinking about books.

I wanted to write books. I wanted to be around books. I wanted to talk about books. There was something about the kinds of wonderful and weird customers that came in that were my people, and I could tell immediately. While the corporate sheen of B&N usually attracted the kinds of young mall kids who were just looking to rip off music magazines or “Vampire: The Masquerade” RPG books, I imagined myself as part of an older tradition, one that was honored and respected. Someday, I would be an older man, still talking books, maybe handling the magazine department with a certain kind of zest that people would remember after I was gone. 

Between that, and my paid radio days, I thought I had it sorted out.

And then, to loose it all in the name of corporate savings. It really changed a lot of how I view the world of large businesses, and their practices.

Watching “The Booksellers” highlights the kinds of customers and sellers and odd people that would come through the bookstores I was lucky enough to work in, and it was that taste of those personalities that brought all of this back to my mind. In a wonderful series of profiles, you get to know these various book dealers in this film, and their wonderful relationship to the world of Antiquarian Book Sales. These are quirky, unusual, but passionate people who love books more than almost anything, and the film is a wonderful cavalcade of these kinds of personalities, all beaming with the kinds of stories and notions that only bookhandlers have.

While I haven’t been in the book trade in over 15 years, I immediately recognized their analogs in the customers and professionals I met while I was talking Raymond Carver with some customer. There are certain things about “book people” that you can spot a mile away, and this movie has all of the wonderful quaintness of those folks, portrayed as larger than life personalities, they way some of them must certainly be seen by others in the industry.



But there isn’t really anything “epic” about this film. It is a quiet, thoughtful portrait of people who love books. Probably as much (and maybe a little more) than almost any of us love the things that we are also passionate about. And their passion is what this film delivers, in a delightful way that reminds us all, in these moments of isolation, the joy and delight that books offer as they isolate us from the scary world at large, and provide a window into something we can’t find anywhere else.

If you are a book person, then you already know these people. If not by reputation, then by how much they are like other people you already know. And if that’s not a strong enough recommendation, then I don’t know what is.

The podcast feed seems to be acting up, and perhaps you weren’t listening on Friday Night, so here’s this show, now available for stream or download: my guest appearance on The Sunday Morning Hangover, where Marc Time and I play (and talk about) our favorite electronic music compositions. There’s even a live Mini-Mutations breakdown, and all sorts of fun throughout the show. (Frog even calls in with a joke.) This is a great show, so enjoy it again, today!
https://midvalleymutations.com/2020/04/17/the-sunday-morning-hangover-2019-retrocast/

We discovered that we actually have a rather large collection of stamps, which is nice. Gretta, Alli, The Ramen City Kid (who isn’t on FB), Naomi, Eric, Cori, Alice, Marilyn, Stephen and Don: letters will be posting for ya’ll on Monday.

Several others: I don’t have your addresses, but I commented that you should message me your address, and I will happily send you post.

And: anyone else want some mail from a real person? (Not a bill! But I will certainly write to any Bills I happen to know.)